Friday, October 18, 2019

6.0 by Daniel Y. Harris






disallow purity with neuromodulators,
ion channels, epoxy oxygen,
genome omens, below a tedious umlaut. Interpretosis,  
with its faciality, rites lack. Half Hyksos, half Mongol, repairs
            Christ’s tunic for the nine dark calends gone.
Starve macron, breve ribs when frailty takes toll,
dispatch stibnite (Latin: lapis philosophorum). Thanks
kinescopic mesoentax. Stride out the ninth
module (which is just below the sixth).
            Ricochet the semtex (“rabot”): discomfiture’s
ebb and flow, demophobia. The convex mirror
in van Eyck’s Arnolfini Wedding reflects a JAIL THREAT
FOR TARTCARD PHONESTERS. Defacto twerk’s 
4,Source/Original/rBot0.3.3_May2004/rBot0.3.3_May
            2004,botnet,rBot,0.3.3,unknown,cpp,
00/05/2004,x86,win32 substitutes Hamlet for Alceste.
Not a thing-in-itself, but rather as a compounded unity,
comeuppance, implanted in vitro in host mothers.
(Scholium BLT on Iliad II.27=21B32). Score pedantic points
with the Übertragung, the transferre, the crossing over, back
            and forth. Curb head. Sieg it up, Bobby Wheelock. 
Delta 87. [SL 2004 IRL] Let a1, · · · , an be positive real numbers,
n > 1. In the crowd, tutelage agents collect refuse, build
            cairns, inhumate or aspirate on ε in the word ‘εν.
Dentition [… ] exceeds elysium, in bliss, the nominalist curve
cuts zygotic. Declare szenery, blots out pauses and upbears
insensate systems. Order = disorder; I= not-I; affirmation
            = negation: Kohanim offer the Priestly Benediction:
(Nu. 6: 24-26), the ‘anti-demonic psalm’ (Ps. 91), Lev. 26:42,
Ezek. 45:12, Deut. 11:12, Is. 62:4, Is. 45:18, Ps. 85:2, Ps. 67:2,
            Deut. 28:8. “Blurb on!”—slurp on, Anna Phylactic’s
progress from farce has its symbolacric arena, (e.g. zombie
SS super-soldiers). Here’s a usurer’s rerun in disavowal’s






Daniel Y. Harris is the author of numerous collections of xperimental writing. His individual collections include The Tryst of Thetica Zorg (BlazeVOX, 2018), Volume II of his Posthuman Series, The Rapture of Eddy Daemon (BlazeVOX, 2016), Volume I of his Posthuman Series, The Underworld of Lesser Degrees (NYQ Books, 2015) and Hyperlinks of Anxiety (Červená Barva Press, 2013). His xperimental writing and sauvage art have been published in BlazeVOX, The Denver Quarterly, European Judaism, Exquisite Corpse, The New York Quarterly, Notre Dame Review, Poetry Salzburg Review and Stride. He holds an M.Div from The University of Chicago and is Publisher & Editor-in-Chief of X-Peri. His website is danielyharris.com.

Monday, October 14, 2019

Two Poems by Miggy Angel



The Portal

Day, and its falling through
itself. Trailing the legion particles
of morning, uncountable

tentacles of noontime. London,
transmutation in moon-blue.
Stone transistor broadcasting

alchemical spells, and you
its loyal receptacle. Curriculum
of metropolitan delirium

in bruise-hue at hound hour.
Studious, observe in abeyance
this detritus syllabus. Pupil

with pupils ablaze, kindling
like tulips. Death and its
diaphanous trick. From the vault

came a voice, no mouth. Spoken
lexicon of light. Sapphire
hieroglyphs, phosphorous

hexagons crown conurbation
in cyan. Eyes, opals.
Portals, open. Listen.





Ultraviolet

Sleep is a pristine state. Hypodermic lamb
leaping the gate of the skin. Love
is a phantom limb, always
itching. The tenements attuned

our antennae to the testimonies
of the territory. Borough was a bow
for the arrow of childhood.
No gauze for the lost cause

of your days. Saliva mirrors
quicksilver. When you open the home
of torso, or so they say, organs
resemble almonds adorning

the abattoir floor. Past ultraviolet
walk far enough into darkness, until
your body is enveloped in night, and
          you will never be photographed again. 





Miggy Angel is the author of the poetry collections Grime Kerbstone Psalms, published by Celandor Books - Extreme Violets, published by Hi Vis Press - and Boy, Bestiary forthcoming from Ice Floe Press in Autumn 2019. Miggy is the editor and founder of Burning House Press. 

Friday, October 11, 2019

The Rare Earths by Dave Shortt



deeper into the interior,
vanishing exclusive rights & claims
on my darling Clementine's mind,
her 'spiritual shareholdings'
bamboozled by primal hordes
quietly flowing in superundercurrents of consumer plunder, of
googles of evolving visions in recreation

raw promethium victories over national armies
are swapped on the market
disguised variedly as 'free'
in integrations of creation's Bluechip
moving between desirous technopop chart peaks proving
funk disaster avoided, CD warehouses left dry
& heated

this was the scandium idea:
develop everyone's deepest internal lode
of egolessness-expertise,
a theory of richesse in universal application
convulsing the standard of living throughout belt-tightened dockyards,
recalling unscientific polemic of saints,
causing trembling in animus prophecies cast down
from cooling towers of fission salvation

to each then his own experience
of the atoms' Poverty, till nothing's
recovered from the cavernous mineshaft
leading down beneath 'great things,'
beneath innocent dark roots of trees,
& kiss from then on
every bit of venture capital goodbye,
even what surfaced as a ringtone
embedded in an abundant supply of friends,
who were changed to mythless strangers:
loved ones: strangers:
loved ones: strangers:
flickering on & off around the clock (in radioactivity),
angstrom'd colors black-lit with angst

meanwhile one G20 goal was to put a yin landscape into space,
where yuan geology & new disneyfied avatars
would attract tourism of a shrinking point of view:
while haves & have-nots might sleep
with phobias stuffed into their pockets
with their childhood tors if they're lucky

'more abstraction,' more abstraction
is talked about, like
'beautiful w*m*n'  still coming from inside the earth?
the close-packing laser gazes
& 'hard-to-get' magnetic attractions
that come to critique the polarity
of 'm*n's creations'?
(as a few chemists arrive to interview per usual
the unsmelted & unstable love-at-first-sight
in advance of being handled & crushed)

did weathered Frigg & Odin
leave them as concessions to human invention
in a birch-covered archipelago
when the gods disappeared into tailings?
when finally earth's bloodletting instinct suffocated,
down below?

earth, picked apart scientifically into give-&-takes,
original creature comforts, therapeutic blood draws,
unified redemptive clots,
(like reincarnated myths)
partially encrypted in shell 4f:
where once upon a time,
donor plasma gets squashed?
lumps of aerospace get strewn?
along a road leading to another vestige
of habitable-planet luxuriance?






Dave Shortt is a longtime writer (from the USA) whose work has appeared over the years in a number of print & electronic literary-type venues, including The Ekphrastic Review.  More of his poems can be found in recent or archived issues of Blaze Vox, Blackbox Manifold, Ygdrasil, Peculiar Mormyrid & the print anthology Emanations: Chorus Pleiades. Silver Pinion published two of his poems earlier this year, & another was posted this summer in Amethyst Review.

Monday, October 7, 2019

Two Poems by Charlie Becker


After Rilke

My own life timid
standing high and growing,
my own quiet and breathless
the song of summer birds
in tune with church carillons,
round and solid
everyday stronger
like the oldest redwoods
at the height of June,
my own,
opening its eyes
smiling from the corneas,
sure of itself
and what it has become,
the next moment
being a star
holding onto sunlight
jumped from silver to setting
and used for a galaxy
that has never been so visible.         





When We Sleep

Winter nights
I lie
in bed 
and wait
for rain,
something I seem
to want
more and more,
its quiet empathy
different
from frivolous snow
or a perfect cloudless sky
more internal
less transient
all-knowing,
and I listen
for the space
between drops
so in the morning
there might be
song sparrows.






Charlie Becker is a retired speech and language specialist who continues to bring poetry to under-served high school students in Los Angeles through the Living Writers Series. Charlie uses poems from his book, Friends My Poems Gave Me, published by World Stage press in 2016, to inform and sensitize his students to issues confronting marginalized LGBT-Q seniors and disabled seniors, as well. Charlie has been part of a writing group, which meets on the University of Southern California Campus, called the Community Literature Initiative (CLI), for the past six years. Some of his poems have been published in Rush Magazine (Mount St. Mary’s University Press, 2018), Passager Books Poetry Contest (Honorable Mention, 2018), Extreme: An Anthology for Social and Environmental Justice (2018), and The Dandelion Review (2019). 
Charlie lives in West Hollywood, California.

Friday, October 4, 2019

Three Poems by James Cagney



HOW TO OPERATE HEAVY MACHINERY (circa 1978)

1.         Think of yourself a medical specialist, puzzling how to diagnose a machine's stubborn silence.
2.         Dip the doughnut of your torque converter into a steaming cup of black oil. Stainless steel                 carbide bologna sandwiches. Fan belt licorice.
3.         A bowl of lug nuts bubble the red milk of transmission fluid like tadpoles. Brackets and                     spark plugs breach the greasy cookie jars on your automotive spice shelf.
4.         Examine your patient through a stethoscopic sheet of Marlboro smoke, an x-ray on a                          light-board. Translate the fevered gibberish of an engine in idle.
5.         Let the sun pause before your workshop and hang stars above the door. Ignore the son                       and its failing starter. Consider you might be a better god over a fickle society of steel. Know                   how to put them in their place.
6.         Give yourself a fuel treatment. Lunch of bourbon on kerosene rocks. Brake Fluid ice                         cream. Backfire of kick-started beer cans spewing.
7.         Witchdoctor with a ratcheting wrench through your nose – Your ignited blue hands                           assemble metallic dreams.
8.         There is no better mattress than cardboard on a sidewalk or
           driveway Rorschach
patterned in oil, a crunch of sand sprinkled as before a tap-dancer.  Your wife and son know this,                  too… Stranded on the porch,
watching you,
ready to run.






I WAS A HERO ONCE

A dead satellite in a room
with children bouncing like atoms
off the walls.   They are faceless,
sweaty & every storm-based verb.
I corral them before the television—
an antique microwave cooking
colorless cartoons.  As the constellation
of them settle, I move to the next room & see it.

The ceramic planter which held
a tittering ficus
had been kicked into slices.
This sight weakens me.
I pull shards from the black
custard soil as if harvesting tombstones.
I caress the roots squiggling
in my fingers, the hand of a dying grandparent—
my heart cursing, pouring itself empty
thru disbelieving eyes.

& to think I was a hero once.

I followed a pack of thieves
hiding in a darkness unnamed by science,
yet I could still see them—
& felt sorry for them
as I levitated above the yard.
The stitching in my palms itched
emitting ophidian beams of flame
igniting every wet, incombustible
thing, synthesizing everything else
to greasy ash.

            I could not be defeated.
I was so alone.

Look at me now.
Stacking broken pottery,
pawing through soil as hissing
tears drop like dead moths.
Only a ______ can be bested
& crushed within by indifferent
             children.






A TASTE OF AMNIOTIC FLUID

milky floral buds

snap open
traps broken

pistil pores pop
           
pushing out

a porridge of sautéed cells,
melted to malted—

globules of grease
molded to the body

sends me further
down the street

than I'd ever gone before

dizzy               with questions
unspeakable, unanswerable

my brains compass
a helicopter
of dandelion
petals               /          spinning

over estates of skin

boiling in upheaval
            itch of cascading petals

primer of tongues’       tickling touch

tearing like a lucid dream animal

through the black chaparral





James Cagney is a poet from Oakland, Ca. He has appeared at venues in throughout the San Francisco Bay Area, Sacramento, Vancouver, and Mumbai. He was profiled in the San Francisco Chronicle and on KALW.org. His first book, Black Steel Magnolias In The Hour Of Chaos Theory, is available now from NomadicPress.org. More of James' writing can be found at https://thedirtyrat.blog/

Monday, September 30, 2019

Horace Pippin, Holy Mountain IV by Michael Begnal

Horace Pippin, Holy Mountain IV (unfinished, 1946)

 

The mountain in two shades
of grey, looming, its rim cracked
volcanitectonically against
a sky of de-emphasized
light-blue—
at its foot,
a strip of desert
tan and then the
foreground stratum:
the arid ground of
denuded green
and the ghosts of three animals—
lion  /  mountain lion  /  wolf  /
hollow revenant outlines,
holograms

the tree black, bare,
its perspective
spectrically outsized,
dangles no noose,
only prophecy





Michael Begnal is the author of Future Blues (Salmon Poetry, 2012) and Ancestor Worship (Salmon Poetry, 2007), as well as the chapbook The Muddy Banks (Ghost City Press, 2016). His work has appeared in journals and anthologies such as Notre Dame Review, Poetry Ireland Review, Empty Mirror, Scoundrel Time, and Thinking Continental: Writing the Planet One Place at a Time (University of Nebraska Press, 2017). He can be found online at www.mikebegnal.blogspot.com and on Twitter @Michael_Begnal.

Friday, September 27, 2019

A Procedure by Olchar E. Lindsann



   ~~-~~-~~-~~-~~-~~-~~-~~-~~-~~
“hread which has run through Western Civilization itself, an Exquisite Corpse made of many different parts of volumes, redacted and edi”
            -Edward Morris, “The Theatre and its Double” 

“een created to drain abscesses coll”
            -Antonin Artaud, “The Theatre and its Double”
   ~~-~~-~~-~~-~~-~~-~~-~~-~~-~~

                        when athwart the boil
            mad in tires, toil, seethe
occluded heed eht, rain cadavers
                        et cause the crops to grow
            jaundiced, dust-diseased, myopic
hooded or a plinth of splintered finger ,nails
                        splayed like a trunk of gut
,immersed in suture: so the corncobs seep
wreathing rutting in eht summers gnastaw groove.
                                                pinned
            drained or fire flame the pages
sail came in pustule spasm lake;
a froth of text synthetic eardrum monitors, glued ,et proves
                        dans fluff convulsive in a
                        mothball turn the page ,you
fling miasma in the breathe off death ,you
                        next atop the skull-silk
:so bite chiasmus in concise abysses
;wring fluted wingnuts from entarecht lung;
            ;apprised of the sopping fruitfly ,rage
            et neither sung nor missing jaw
            contract, in hacking eloquence–ô
                                    nonetheless
                                    nonetheless
                                    nonetheless
puffed comme the maggot of a marshmallow
            the moons' disjointed orisons
                        ,tar in the placent maw.






Olchar E. Lindsann has published over 40 books of literature, theory, translation, and avant-garde history including The Ecstatic NerveToward a Radical Historiography, and most recently volume 3 of the ongoing epic Arthur Dies on Luna Bisonte. His poems have appeared in OtolithsLost & Found TimesBrave New Word, and elsewhere, and he has performed and lectured extensively in the US and the United Kingdom. He is the editor of mOnocle-Lash Anti-Press, whose catalog includes over 100 print publications of the contemporary and historical avant-garde, and of the periodicals RêvenanceThe in-Appropriated Press, and Synapse.